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  • A fan said he emailed KYKC in Oklahoma and was told KYKC doesn't play Beyoncé, as it is a country radio station. The station said it did not yet have access to the song.
  • Learn the basics of the raga, the sitar and the tabla with India's master, Ravi Shankar. The examples are played by his daughter, sitar player Anoushka Shankar, and tabla virtuoso Tanmoy Bose.
  • Many jazz standards are themselves about making lists. Here are five of them, including Louis Armstrong's take on "Let's Do It," Johnny Hartman's version of "These Foolish Things" and a classic reading of Jobim's "Waters of March."
  • Aid groups say they are making progress in delivering food to Somalia. But the need is critical and growing as the death toll continues to mount.
  • Explosive Eighteen is the 18th in the best-selling series of crime novels featuring Jersey girl Stephanie Plum. Author Janet Evanovich discusses the inspiration for her heroine and how she eavesdrops for ideas.
  • Science fiction's job is to give us a map of where we're headed. From Jules Verne to William Gibson, sci-fi authors describe their visions of the future, and how people might live in it. We ask Intel's futurist for his list of favorite sci-fi books.
  • Hear historic music from the Newport Jazz Festival, hand-picked by Christian McBride. Tune in to rare sets from Ray Charles, Cannonball Adderley, Sarah Vaughan, Duke Ellington and Louis Armstrong.
  • The influence operation identified by Graphika researchers involved a network of more than 800 fake Facebook accounts that reposted Chinese-language TikTok and YouTube videos about Taiwanese politics.
  • Oprah Winfrey says her Book Club grew out of a desire to talk to authors after finishing their books. While the original version of the club ended when Winfrey's television show went off the air in 2011, it has now been rebooted online and on the new Oprah Winfrey Network as Book Club 2.0.
  • Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.
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