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  • Van Morrison sat down recently with Harry Duncan, producer and host of In The Soul Kitchen for an exclusive interview to talk about his new album, Somebody Tried To Sell Me A Bridge that features Van and his band covering blues and R&B classics from some of his favorite artists. Special guests on the album include Taj Mahal, Buddy Guy and Elvin Bishop. The interview also includes Van talking about some of his primary inspirations and influences like Leadbelly, Bobby Blue Bland, Solomon Burke, Sam Cooke and Bobby Womack. Don’t miss this opportunity to hear Van, songs from his new album and more.
  • 1956: Jukebox Rhythm Review, Part 2. This week, we journey back 70 years as the "Juke In The Back" puts the ol' Rockola Jukebox front and center and we present part 2 of a 2-part feature on the biggest jukebox jivers from 1956. It was the first full year of Rock n' Roll Music crossing over from its Rhythm & Blues roots into mainstream Pop Culture. This was the year that Elvis broke through and scored massive hits on the Pop, R&B and Country Charts. We'll dig on the future King's biggest record of the year as well as monster crossover hits by Bill Doggett and Little Willie John. Matt The Cat also spins tunes by B.B. King, Gus Jinkins, Otis Rush and Muddy Waters, that were solely R&B hits. So, grab a nickel, grab a dime and let's make some time with the top jukebox spinners from the second half of 1956 on this week's Jukebox Rhythm Review.
  • Columbus based bassist George Delancey was a core member of the Larry Fuller Trio and has performed with Ben Patterson, Wynton Marsallis and Houston Person, among others. For this performance, he enlists a number of Central Ohio musicians to Cleveland to work out material in advance of a live album recording.For this performance, George leads a sextet that includes himself on Bass, Paul Strawser on Piano, Miles Franklin Smith on Trumpet, Jake Smith on Alto Saxophone, Robert Dove on Tenor Saxophone and Andrew Theiss on Drums. From January 24th, 2025 performance, Daniel Peck is your host for the George Delancey Sextet…Live at the Bop Stop.
  • Annie Laurie. We celebrate one of the heroines of Rhythm & Blues and early Rock n' Roll as Annie Laurie takes the spotlight on this week's "Juke In The Back." Not much is known about her early years except that she was born in Atlanta in 1924. Her first recording was "St. Louis Blues" with bassist and bandleader Dallas Barley and from there she toured with Snookum Russell before Paul Gayten asked her to join his band in New Orleans. She made the "Crescent City" her new home and recorded the first hit version of Buddy & Ella Johnson's "Since I Fell For You," helping to make it a standard. Many classic recordings with Paul Gayten followed with a few more making the charts before she began recording on her own on Columbia's newly reactivated Blues subsidiary, Okeh Records. The Okeh sides were harder-edged and more contemporary R&B sounding, but none of them charted. A short stint with Savoy proved unfruitful, but she did get to record with Hal Singer's band, which included guitar legend, Mickey Baker. She was back in the R&B Top 5 in 1957 with "It Hurts To Be In Love" for DeLuxe, but by the early '60s, she gave up music for devotion to God.
  • Shirley Horn: The Queen of Silence and Anticipation. We celebrate Women's History Month with a spotlight on Miss Shirley Horn. We bring you a 1991 concert featuring special guests Wynton Marsalis, Branford Marsalis, Toots Thielemans, and more.
  • Part 2. Horace Silver: Opus De Funk / The 1950s Blue Note Recordings. With the hard bop and soulful jazz master in some of his greatest sessions. In the company of Art Farmer, Hank Mobley, Blue Mitchell, Junior Cook and more. Hope you can join me.
  • Antoine Drye. Composer/trumpeter Antoine Drye’s latest CD, Retreat to Beauty, with orchestrations by Isaac Raz, celebrates Antoine’s love of the Great American Songbook, and newer compositions that honor that tradition. It’s rare to hear a recording these days with an orchestra with live musicians, not sampled sounds. Retreat to Beauty celebrates not only this music, but the communal experience of making it.
  • Dave Solazzo and The Bridge. Sometimes, producing an album takes work, labor, a bit of suffering and a lot of negotiation. For Central New York Based Dave Solazzo and the Bridge, the trio knew after one session that they had to hit the studio and then the road. The fruit of that chemistry produced the 2023 album Locrian Skye, and you’ll hear selections from that release on this episode of the program. Featuring Dave Solazzo on piano, Matthew Vacanti on Bass and Bill D’Agostino on Drums, and from a March 12th, 2025 performance, performance, Daniel Peck is your host for Dave Solazzo and the Bridge…Live at the Bop Stop.
  • The Moonglows, Part 1 - 1953-55. Much has been written about the great R&B vocal groups of the 1950s. Many of the classic groups were either great musicians and vocalists and never had the recognition or record sales to back it up or these groups were thrown together, they couldn't sing very well and scored one, solid hit that still spins in the eternal jukebox of public consciousness. The Moonglows were one of the few groups to come out of the post-World War II, pre-Elvis era, who were extremely talented and had the sales figures and notoriety to back it up. Originally called The Crazy Sounds, Harvey Fuqua and Bobby Lester led The Moonglows to a #1 R&B smash in 1954 with "Sincerely" on Chess, but that was after a somewhat bumpy start on Alan Freed's Champagne Records and Chicago's Chance Records. This week, Matt The Cat presents part 1 of a 2-part feature on the fantastic Moonglows, covering their career from 1953 to 1955. Vocal harmony doesn't get much sweeter than this, so don't miss one note this week.
  • Flea in Conversation with Christian McBride. We sit down with iconic bassist Flea for a special conversation with host Christian McBride. After nearly five decades as one of his generation's defining rock bassists, Flea opens up about his first musical love — jazz — and his debut solo album, Honora, that brought him back to it.