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  • Strauss's lurid yet sumptuous one-act opera tells the story of Elektra and her decidedly dysfuntional family — her murdered father Agamemnon, her frantic sister Chrysothemis and their homicidal mother, Klytaemnestra.
  • In Josh Ritter's first novel, Bright's Passage, a World War I soldier goes home to West Virginia and must protect himself and his infant son. The book contains Ritter's trademark combination of humor, gothic themes and fantastical imagery (an angel who inhabits the body of a horse).
  • Bowing to market forces isn't just a modern concern: 'Semele' was Handel's attempt to appeal to fans of spiritually minded oratorios and lusty operatic dramas alike.
  • The Singing Cowboy was one of the country's most popular and prolific film stars during his career; he also gained fame as a radio star, producer and TV personality. Biographer Holly George-Warren traces Autry's lengthy career in Public Cowboy No. 1.
  • Country singer-songwriter Rodney Crowell brings his guitar into the studio and performs songs that relate to his memoir, Chinaberry Sidewalks, about his rough-and-tumble childhood in East Texas.
  • Massenet's Don Quichotte is one of several operas based on Miguel Cervantes' 17th-century novel, in which the self-proclaimed knight-errant travels the world righting wrongs.
  • Toni Morrison wrote the libretto for this opera, based on a real-life story about an enslaved woman who killed her daughter rather than let her be returned to slavery.
  • Hip-hop music grew from the streets of Harlem and the Bronx into a multi-billion-dollar industry. Dan Charnas chronicles how hip-hop producers and entrepreneurs changed the music industry and pop culture in The Big Payback.
  • Kurt Weill unleashed his entire musical and dramatic arsenal in this astonishing and decadent opera, which he wrote in his early twenties. The action is set in a fictional American city, but it's reminiscent of Weimar, Germany.
  • The former drummer for Yes, King Crimson, and other groups is closing his public performance career with an autobiography. He apologizes for not having stories of a troubled childhood, but does have tales of stage mishaps and innovations.
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