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  • NPR's Ailsa Chang talks with Kam Franklin, lead singer of the Gulf Coast soul band The Suffers, about her hometown being a source of strength, because the industry hasn't always embraced her.
  • The arc of American culture can be found in the nation's music. Author Tom Piazza shares that story in his new collection of essays, called Devil Sent the Rain: Music and Writing in Desperate America.
  • Watch live performances from Allison Russell, Bonnie Raitt and more as the Americana community reveals its top album, song and artist of the year.
  • Presidential campaigns mean a busy time for politicos and journalists — and also for satirists. The Washington, D.C.-based comedy troupe the Capitol Steps has been in the thick of it, writing songs and skits that bring out the silly side of the campaign trail.
  • David Bowie might just be rock's most famous chameleon. He's been a folk singer, a soul singer, a rock star and a pop icon — and now he's the subject of a new biography.
  • Television writer and musician Barbara Hall got the idea for her latest novel after taking violin lessons from a music teacher who seemed angry that she wanted to learn. Hall discusses her book, The Music Teacher and the idea that not everyone is called to be a professional musician; some are called to teach.
  • Every weekday through Hispanic Heritage Month, World Cafe dives into the music of a different country in Latin America.
  • In this bittersweet music, Schubert added an extra cello to the standard string quartet, and in the process created a completely new sound for a small string ensemble. Hear a performance that deeply probes Schubert's personal brand of lyrical melancholy.
  • DJ Kool Herc is known as the father of the DJ breakbeat, part of the foundation of modern hip-hop. He also wrote the introduction to the recent history of hip-hop, Can't Stop Won't Stop. Kool Herc kicks off Fresh Air's Hip-Hop Week. (This interview originally aired March 30, 2005.)
  • Before the Civil Rights movement, segregated American cities helped give birth to the Chitlin' Circuit, a touring revue that provided employment for hundreds of black musicians. Rock historian Ed Ward profiles two recent books which illuminate the conditions these musicians endured.
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